When Julie Andrews began writing her 2008 autobiography, “Home,” her husband Blake Edwards had just one piece of advice: “Characters make your story.”
In an up-and-down career that spanned writing, directing and producing nearly 50 films, Edwards, who died Wednesday, cultivated more than his share of indelible characters: Peter Sellers’ bumbling Inspector Clouseau of the “Pink Panther” movies, Dudley Moore’s equally clueless George Webber from “10,” Audrey Hepburn’s high fashion wild child Holly Golightly in “Breakfast at Tiffany’s.”
He knew laughter and sadness, making alcoholism seem hilarious in “10″ and desperate in “Days of Wine and Roses.” But his strength was comedy, farce and slapstick that he captured in a visual style trained on silent comedies. It was, after all, in his blood.
Edwards’ stepfather, Jack McEdwards (the family name), was an assistant director, and his stepfather’s father, J. Gordon Edwards, was a pioneering director of silent films. Though born in Tulsa, Okla., Edwards was raised on movie sets. He was an extra and supporting actor before he was a filmmaker.
A child of Hollywood who made his home there, he would forever have a conflicted relationship with the industry he assailed, but to which he kept returning. He dropped in and out of favor, feuded with producers and famously satirized Hollywood in 1981′s scathing “S.O.B.”
“I was certainly getting back at some of the producers of my life,” Edwards, who died Wednesday, once remarked, “although I was a good deal less scathing than I could have been. The only way I got to make it was because of the huge success of `10,’ and even then they tried to sabotage it.”
But he also made movies that added to Hollywood’s bottom line, particularly in the “Pink Panther” films.